Comparison essay on dracula and frankenstein

But let us remember that Stoker did not invent the vampire; it had inhabited popular imagination long before the start of the Industrial Revolution. Scientific rationalism has always had a problem with instinct. Gradually, and in order to deal with the conundrum it presented, which was the conundrum of human nature, scientific thought evolved a new discipline to deal with it: psychology.

Comparison paper on dracula and frankenstein

He called it the Id. These instinctive impulses, Freud claimed, competed with rationality: the Ego, for control of our mind. The Id resided in the unconscious mind, while the Ego was present as a part of the conscious mind. The Id was timeless, and had inhabited us since birth; the Ego came later, as we grew.

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The Id harboured the impulses of sex and aggression, while the Ego struggled to regulate them. These old instinctive urges appear associated with the persona of the vampire. He is seductive; he is cruel. Perhaps more importantly, he is elusive, hard to pin down; he is timeless, eternal. The rational mind would deny him; the unconscious says he exists.

The Industrial Revolution, in full swing at the time Dracula the novel was published, had already begun to yield to the forces of evil. The brave new world that science had built was crumbling round the edges. Crime grew apace with the cities of the Industrial Revolution. The persona of the vampire lurked in dark corners on the streets of London. Perhaps Bram Stoker was unaware that he had plumbed the darkest corners of the human psyche with his resurrection of the vampire myth, but he was certainly conscious of having based his vampire character on a real person: Vlad Dracula, a man who lived some three hundred years earlier in Romania.

Psychology may not yet have made its appearance on the world stage, but the human psyche did not need to; it was as old as humankind — as old as the vampire. October 17, April 29, Other People's Gods - Cronus.

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Frankenstein and Dracula comparison

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Actions Shares. Embeds 0 No embeds. No notes for slide. Frankenstein And Dracula 1. His limbs were in proportion, and I had selected his features as beautiful. His yellow skin scarcely covered the work of muscles and arteries beneath; his hair was of a lustrous black, and flowing; his teeth of a pearly whiteness; but these luxuriances only formed a more horrid contrast with his watery eyes, that seemed almost of the same colour as the dun white sockets in which they were set, his shrivelled complexion and straight black lips.

Such a monster has then really existence! I cannot doubt it; yet I am lost in surprise and admiration. I have lost my hopes of utility and glory;--I have lost my friend. But I will endeavour to detail these bitter circumstances to you, my dear sister; and while I am wafted towards England, and towards you, I will not despond. Within, stood a tall old man, clean shaven save for a long white moustache, and clad in black from head to foot, without a single speck of colour about him anywhere.

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Enter freely and of your own free will! The instant, however, that I had stepped over the threshold, he moved impulsively forward, and holding out his hand grasped mine with a strength which made me wince, an effect which was not lessened by the fact that it seemed cold as ice, more like the hand of a dead than a living man. Where better than England, the birth-placeofmoderncapitalism? The house is at present empty, but enclosed please find keys, all of which are labelled. Your agent will easily recognize the locality, as it is the ancient chapel of the mansion. It has the same tiny wound in the throat as has been noticed in other cases.

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A Tale of Two Monsters – Dracula and Frankenstein compared

One click instant price quote. Comparing Frankenstein with a modern horror movie Being initially developed as a ghost-story, Mary Shelleys Frankenstein included numerous issues varying from authors interpretations of the scientific and social theories to the description of general culture of the time.

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The story of Frankenstein was told by means of letters, and in the form of three narratives one inside the other, which attached to the story a certain degree of distancing. The logical result of the narrative distancing is a multiplicity of viewpoints regarding the main characters, Frankenstein and monster. Telling the story of Being, Mary Shelley utilizes many elements of the natural philosophy and chemistry of her time.


Her novel represents an interesting non-expert testimony to the philosophical and scientific ideas of nineteenth century. The different accidents of life are not so changeable as the feelings of human nature Although there were no given details regarding the bodies Frankenstein proposed to animate, once the first experimental sample was completely formed, scientists collected the instruments of life about him so as to infuse a spark of being into the lifeless thing. The Being became alive and Frankenstein, in horror, ran out of the room.

At that very moment, the Being meant nothing to scientist but experimental material and therefore, he had never given him a name or any identity. As far as he was concerned, the Being should have never been born. He was a major mistake of the scientist for which there was no need to apologize.

Frankenstein's experiments brought the issue of creatures fertility, spread and subsequent transformation into race, which could exterminate mankind. Thus, Frankenstein destroyed the incomplete female though he was aware of the Beings anger, and this way he unleashed series of murders of loved ones, including the Being himself.

The image of death on a pyre was meant to emphasize the Being dignity. The majority of literary critics indicate that in her story Mary Shelley interconnected the central idea of Beings creation with contemporary views of the workings of Nature. Frankenstein's theory about the nature of life is very similar to what can be found in scientific sources available to Mary Shelley and her contemporaries.

Mary Shelley was a very educated person with excellent acquaintances among various intellectual circles. Initially the Being was created by Frankenstein in order to be beautiful, and to celebrate life. However, the Being fell from his creators grace and becomes a strange perversion of beauty.